Some
artists concentrate on creation intently without leaving
some text and analects. But, others tell their original
works or classic works if they are asked, and write
reviews about creation. However, we cannot judge easily
which artists are better. At my seminar, by picking
up some of texts, which are criticisms, essays, letters,
diaries, records and etc, left by artists of Japanese
modern painting, oil painting, ceramics, calligrapher
and textile-dyeing, students can examine the historical
meanings, the relative merits as essays on arts, relationship
with works, literary merits and so on. Until now, we
have discussed texts written by Narashige Koide (Oil
paintings), Kagaku Murakami (Japanese paintings), Kanjiro
Kawai (Ceramics), Shiko Munakata (Print arts), and Muneyoshi
Yanagi (Essays on folk craft). While deepeningthem further,
we will study texts written by Ryusei Kishida, Bakusen
Tsuchida, Kaita Murayama, Kiyotaka Kaburaki, Kenkichi
Tomimoto, Yuichi Inoue, Syo Ishimoto, and Fukumi Shimura.
Each is interesting. We will try to read Gogh's letter,
Gauguin's Tahiti things, Redon reflections, Matisse's
analects and so on. |